Mrs. Gereth stared as at some gross material ravage. "Another footing? What other footing?" Owen had been blank a moment before, but he followed this argument with success—a success so immediate that it enabled him to produce with decision: "Ah, she's not that sort! She wants them herself," he added; "she wants to feel they're hers; she doesn't care whether I have them or not! And if she can't get them she doesn't want me. If she can't get them she doesn't want anything at all."!

"Back? They'll be there all day!" These arts, when Mrs. Gereth's spirits were high, were handled with a brave and cynical humor with which Fleda's fancy could keep no step: they left our young lady wondering what on earth her companion wanted her to do. "I want you to cut in!"—that was Mrs. Gereth's familiar and comprehensive phrase for the course she prescribed. She challenged again and again Fleda's picture, as she called it (though the sketch was too slight to deserve the name), of the indifference to which a prior attachment had committed the proprietor of Poynton. "Do you mean to say that, Mona or no Mona, he could see you that way, day after day, and not have the ordinary feelings of a man?" This was the sort of interrogation to which Fleda was fitfully and irrelevantly treated. She had grown almost used to the refrain. "Do you mean to say that when, the other day, one had quite made you over to him, the great gawk, and he was, on this very spot, utterly alone with you—?" The poor girl at this point never left any doubt of what she meant to say, but Mrs. Gereth could be trusted to break out in another place and at another time. At last Fleda wrote to her father that he must take her in for a while; and when, to her companion's delight, she returned to London, that lady went with her to the station and wafted her on her way. "The Morning Post" had been delivered as they left the house, and Mrs. Gereth had brought it with her for the traveler, who never spent a penny on a newspaper. On the platform, however, when this young person was ticketed, labeled, and seated, she opened it at the window of the carriage, exclaiming as usual, after looking into it a moment: "Nothing—nothing—nothing: don't tell me!" Every day that there was nothing was a nail in the coffin of the marriage. An instant later the train was off, but, moving quickly beside it, while Fleda leaned inscrutably forth, Mrs. Gereth grasped her friend's hand and looked up with wonderful eyes. "Only let yourself go, darling—only let yourself go!"

Fleda faltered again, wincing at the term of endearment, at what the words took for granted, charged with the confidence she had now committed herself to betray. "I told him I would tell you!" She smiled, but she felt that her smile was rather hollow and even that Mrs. Gereth had begun to look at her with some fixedness. "No, Fleda, I don't understand you," said Mrs. Gereth, finally facing her again. "I don't understand you at all, and it's as if you and Owen were of quite another race and another flesh. You make me feel very old-fashioned and simple and bad. But you must take me as I am, since you take so much else with me!" She spoke now with the drop of her resentment, with a dry and weary calm. "It would have been better for me if I had never known you," she pursued, "and certainly better if I hadn't taken such an extraordinary fancy to you. But that too was inevitable: everything, I suppose, is inevitable. It was all my own doing—you didn't run after me: I pounced on you and caught you up. You're a stiff little beggar, in spite of your pretty manners: yes, you're hideously misleading. I hope you feel how handsome it is of me to recognize the independence of your character. It was your clever sympathy that did it—your extraordinary feeling for those accursed vanities. You were sharper about them than any one I had ever known, and that was a thing I simply couldn't resist. Well," the poor lady concluded after a pause, "you see where it has landed us!" Fleda had listened in awe. "And no one at Poynton said anything? There was no alarm?"